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After the death of King Kong, the Kong theme and the Fay Wray theme converge, underlining the "Beauty and the Beast" type relationship between the characters. 37 :258 Some of his contemporaries did not like his music. The score of the film showed "the basic power of music to terrorize and to humanize." 2 The Letter (1940 starring Bette Davis : The music of this film creates an atmosphere of "tropical tension and violence" by

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"blasting the credits fortissimo across the theater.". It expressed Kong's "feelings of tenderness towards his helpless victim." The music underscores feelings that the camera simply cannot express. He was also the first recipient of the Golden Globe Award for Best Original Score, which he won for his score for Life with Father. 32 :227 The most well known of Steiner's themes for the score is the " Tara " theme for the O'Hara family plantation. 57 In fact, during the tribal sacrifice scene of the 2005 version, the music playing is from Steiner's score of the same scene in the 1933 version. In England, Steiner wrote and conducted theater productions and symphonies. 2 In the same way that Steiner created a theme for each character in a film, Steiner's music developed themes to express emotional aspects of general scenes which originally lacked emotional content.

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2 :30 The theme is not heard consistently throughout the film and serves rather as a framework for the other melodic motifs heard throughout different parts of the film. Ford even asked his screenwriter to meet with Steiner during the writing phase to collaborate. Film Score: The Art Craft of Movie Music. During this time, five of Steiner's scores including The Lost Patrol and The Charge of the Light Brigade were nominated, but the Academy does not consider these nominations to belong to Max Steiner himself. A b c "Max Steiner". 2 :29 The majority of the music is heavy and loud, but some of the music is a bit lighter. A b Gorbman, Claudia (1987). Steiner's score for King Kong modeled the method of adding background music into a movie. Steiner cited his early improvisation as an influence of his taste in music, particularly his interest in the music of Claude Debussy which was "avant garde" for the time. 5 Scoring for RKO (19291937) edit By request of Harry Tierney, RKO hired Max Steiner as an orchestrator and his first film job consisted of composing music for the main and end titles and occasional "on screen" music.



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